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Indie Basement: New music and classic indie rock coverage.
The indie landscape hums with a familiar, welcome energy this week, a feeling akin to flipping through a crate of records and finding a pristine original pressing nestled next to a bold new release from a label you trust. It’s a week that bridges generations, reminding us that the spirit of independent music—that defiant, melodic, and often wonderfully awkward heart—beats as strong as ever.Leading the charge is the long-awaited return of Melody’s Echo Chamber, the project of French multi-instrumentalist Melody Prochet. Her new album, following a significant hiatus marked by personal challenges, isn’t just a collection of songs; it’s a testament to artistic resilience.Prochet’s signature blend of kaleidoscopic psychedelia and gauzy, Franco-pop melody feels both refined and recklessly expansive, like a watercolor painting that suddenly erupts into vivid oil. Tracks swirl with vintage synth textures and motorik rhythms, yet are anchored by a profoundly intimate vocal delivery.It’s a record that doesn’t just pick up where 2018’s ‘Bon Voyage’ left off, but charts a course into deeper, more emotionally complex waters, proving that her echo chamber is one of the most uniquely captivating sonic spaces in modern music. Then, from a different corner of the indie universe, comes Totally Enormous Extinct Dinosaurs, aka Orlando Higginbottom, with his sophomore album.TEED operates in the lush intersection where electronic dance music meets poignant songcraft. His work has always felt more suited to a misty morning after the rave than the peak of the night itself, and this new offering doubles down on that bittersweet euphoria.It’s meticulously produced, with crystalline beats and warm basslines, but it’s Higginbottom’s wistful, almost scholarly vocal delivery that gives it soul. He crafts pop songs with the structural precision of a classicist, yet dresses them in the most forward-thinking electronic garments, creating a sound that is both nostalgically comforting and thrillingly modern.The conversation between past and present gets a brilliantly witty twist with the latest from Baxter Dury, who has enlisted an indie royalty dream team for a remix project. Having Jarvis Cocker, the arch-poet of British observational sleaze, rework a Dury track is a meeting of minds so perfect it feels inevitable.Both masters of deadpan delivery and chroniclers of urban peculiarity, Cocker’s touch brings a layer of Pulp-esque theatricality and synth-driven groove. Meanwhile, Marie Davidson, the queen of cold-wave minimalism and spoken-word intensity, applies her surgical precision to another cut, transforming it into a driving, hypnotic club tool.
#weeks picks news
#indie music
#album releases
#Melody's Echo Chamber
#Totally Enormous Extinct Dinosaurs
#Baxter Dury
#Jarvis Cocker
#The Housemartins
#classic indie
