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Michael Velliquette Stages a Visual Opera of the Mind with Metallic Paper Sculptures
The gallery is transformed into a hall of quiet reverence, a space charged with the same anticipatory energy as a theater moments before the curtain rises. This is the setting for Michael Velliquette's solo exhibition, 'The Light That Sees,' a collection of 21 new works that perform a silent, three-dimensional ballet.Each metallic paper sculpture acts as a principal performer in this visual opera, its presence both commanding and contemplative. Velliquette engineers paper rather than merely crafting it, constructing intricate, layered forms that appear to breathe with an internal energy.The metallic finishes do not glare, but emit a soft, luminous radiance, akin to stage lights catching a performer's costume. The kirigami-like precision—a harmony of exacting cuts, strategic folds, and improbable structural balances—reveals a discipline worthy of a master set designer.Yet his work ascends beyond technical mastery to grapple with profound philosophical questions about the nature of consciousness itself. These sculptures are abstract meditations, serving as visual metaphors for the mind's complex, patterned, and sometimes chaotic processes.Observing a piece, one might discern the synaptic flash of a new thought, the intricate lattice of a memory, or the radiant burst of inspiration. Possessing a mandala-like quality, the work pulls the viewer into a state of introspection, prompting a deep inquiry into the stage of our own awareness.Velliquette’s art thrives in the space where meticulous materiality meets intangible self, creating a compelling dialogue between the object and the observer. It is a production that invites a patient audience to lean in, shift their viewpoint, and become immersed in the quiet drama of its layers, discovering fresh insights into the theater of their own consciousness with each new look.
#Michael Velliquette
#paper sculptures
#art exhibition
#The Light That Sees
#consciousness
#featured