Michael Velliquette Stages a Silent Opera of Consciousness with Metallic Paper

2 hours ago7 min read

The gallery space is charged with a reverent quiet, a prelude to the visual performance about to unfold. This is the stage for Michael Velliquette’s solo exhibition, 'The Light That Sees,' a collection of 21 metallic paper sculptures that probe the architecture of consciousness.Each work is a feat of meticulous construction, built from countless hand-cut and folded layers that erupt into intricate, mandala-like forms pulsating with latent energy. These are not passive objects; they are dynamic performers in a silent drama of perception.Their reflective, metallic surfaces interact with the light, creating a play of illumination and shadow that animates the white walls of the gallery. Velliquette’s use of paper is a powerful conceptual choice, transforming a simple, everyday material into a complex, radiant medium—a direct parallel to how basic biological processes give rise to the rich tapestry of human awareness.The exhibition's title points to a mind that is both a source and a subject of illumination. The sculptures vary in scale, from smaller, introspective pieces that invite a private audience to vast, wall-consuming installations that deliver a climactic visual impact.The very process of their creation—building dimension from a flat plane—echoes the narrative of a developing consciousness. Velliquette emerges not merely as a sculptor, but as a playwright and director, using the inherent drama of paper to orchestrate a profound exploration of what it means to see, to think, and to be.

#Michael Velliquette

#paper sculptures

#art exhibition

#The Light That Sees

#consciousness

#featured

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