Memory and Novelty Converge for Manuela Solano After Losing Sight

2 hours ago7 min read

Manuela Solano’s voice carries a quiet, reflective weight when she discusses memory, a subject that has become profoundly personal since she lost her sight. 'I’ve heard that memories change every time we revisit them,' she says, a statement that feels less like a philosophical musing and more like a lived reality.'This means everybody faces the problem of remembering. ' For Solano, this universal problem has been reframed into a radical new artistic process, a tactile and intuitive way of building portraits that exist at the confluence of recollection and invention.Before her sight faded, her work was rooted in the visual, in the precise capture of a moment. Now, her studio is a landscape of texture and memory, where canvases are built through touch and the imperfect, evolving nature of internal imagery.She describes the act of creation as a conversation with her past self, each brushstroke a negotiation between what was and what her mind now constructs. This shift is not merely an adaptation but a complete re-imagining of her relationship with her art and her own history.It echoes the psychological research on memory reconsolidation, where each act of recall subtly alters the original memory, making it a new creation. In a world obsessed with visual fidelity, Solano’s work challenges the very notion of an objective record, proposing instead that truth in portraiture may lie in its emotional and mnemonic resonance. Her process, born from profound loss, has unlocked a deeper, more universal exploration of how we all continually reconstruct our identities and our stories, not from fixed points of data, but from the fluid, ever-changing material of our own experiences.

#featured

#Manuela Solano

#painting

#blindness

#memory

#art process

#visual arts

#portrait

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