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Li Songsong's Impasto Canvases Excavate the Weight of History

AM
Amanda Lewis
2 hours ago7 min read
Li Songsong transforms painting into an act of historical archaeology. His monumental canvases, built with thick, topographic layers of impasto, engage in a profound reckoning with memory.The artist begins with source images—often historical photographs from China's modern past—only to systematically deconstruct them. He fractures the scenes into discrete panels or buries them beneath a visceral terrain of oil paint.This process of simultaneous revelation and obfuscation forces the viewer into an active role, piecing together fragmented clues. The work exists in a tense dialogue with collective memory, presenting the past not as a clear narrative but as a physical, tactile experience.In an era of crisp digital reproduction, Li’s paintings insist on the physical labor of seeing, with the weight of history literally built up on the canvas. The impasto itself becomes a powerful metaphor for the accumulated layers of interpretation, propaganda, and personal recollection that coat any official record.His technique of building up paint only to scrape it away mirrors the way national narratives are constructed and subsequently questioned. While his practice emerged from the context of Chinese Cynical Realism, his focus shifts from overt satire to the phenomenological experience of history itself.He aligns with a global tradition of artists like Gerhard Richter and Anselm Kiefer, who use materiality to grapple with burdensome pasts. To stand before one of Li's large-scale works is an immersive encounter.You confront a surface with its own history of making, a record of artistic decisions that mirrors our complex process of understanding the past. These paintings resist a quick glance, demanding contemplation and challenging the facile consumption of images that defines our age. They ask what is lost in the translation from photograph to painting, from public event to personal memory, and from a singular truth to a multifaceted, deeply human interpretation.
#featured
#Li Songsong
#impasto painting
#contemporary art
#abstract history
#oil painting
#Chinese artist
#art exhibition

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