Jacob Hashimoto's Vibrant Sculptural Installations at Gallery Show.

15 hours ago7 min read6 comments

Stepping into the Miles McEnery Gallery feels less like entering a traditional art space and more like walking into a meticulously scored, three-dimensional symphony of color and form, a testament to Jacob Hashimoto’s masterful command of a stage that exists somewhere between the canvas and the built environment. His eponymous solo show is a breathtaking performance where painting itself has been deconstructed, its fundamental elements—color, line, and composition—liberated from their flat confines and set free to dance in the air.Hashimoto’s signature installations, vast constellations of thousands of hand-assembled paper and bamboo kites, don’t merely hang on the walls; they inhabit the volume of the room, creating layered, topographical landscapes that viewers navigate as if moving through the acts of an abstract opera. Each delicate, screen-printed disk is a soloist, contributing its unique hue and pattern to a larger, harmonious chorus, a visual polyphony that shifts and changes with the viewer’s perspective, revealing new relationships and rhythms with every step.This is not art to be passively observed from a single vantage point; it demands a kinetic engagement, a physical journey through its narrative arcs and crescendos. The work is deeply painterly, echoing the color fields of Mark Rothko and the intricate, all-over compositions of Jackson Pollock, yet it transcends the frame to embrace an architectural scale, challenging the very definitions of what a painting can be.Hashimoto, in essence, has built a theater for color, where light and shadow become the lighting crew, and the audience’s movement directs the unfolding drama. The result is a riotous, joyful, and profoundly immersive experience that speaks to a long tradition of artists pushing against the boundaries of their medium, from the constructed reliefs of Frank Stella to the environmental installations of Tara Donovan. It’s a show that reminds us that art can be a total environment, a world unto itself that you don’t just see, but feel and move through, leaving you with the lingering sensation of having been not just a spectator, but a participant in a magnificent, silent performance.

#featured

#Jacob Hashimoto

#sculpture

#installation

#art exhibition

#color

#form

#Miles McEnery Gallery

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