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Jacob Hashimoto's Vibrant Sculptural Art Installation.
Stepping into the Miles McEnery Gallery feels less like entering a traditional white cube and more like walking into the wings of a grand, abstract theatrical production, where Jacob Hashimoto is both the set designer and the lead performer in a silent, spectacular show. His eponymous solo exhibition isn't merely a collection of artworks hung on walls; it's a full-stage immersion, a riotous opera of color and form composed of thousands of hand-made elements that dance in the air.Hashimoto, a master craftsman of contemporary installation, has long been celebrated for his ability to fracture the very elements of painting—color, line, composition—and reassemble them into breathtakingly intricate, three-dimensional landscapes. Think of his signature kites, those myriad paper or bamboo and rice paper discs, not as simple objects but as individual notes in a vast visual symphony, each one meticulously painted and assembled into cascading mobiles and sprawling, wall-mounted topographies that challenge the very flatness of the canvas.This is work that is profoundly painterly, drawing from a deep well of art historical references that might include the pointillist dots of Seurat or the all-over compositions of Jackson Pollock, yet it is simultaneously and undeniably architectural, commanding the space with the gravity of a built environment. The installations create their own weather systems within the gallery; they cast intricate, shifting shadows, they compel you to walk around and through them, changing perspective with every step, much like a spectator moving around a stage to see a sculpture from every angle.There’s a narrative here, not one told with words, but with scale and texture and the delicate interplay of light and shadow—a narrative of accumulation, of meticulous labor, of the sublime beauty found in complex, ordered systems. It’s a backstage pass to the artist’s process, where the painstaking act of tying each small ‘kite’ becomes a repetitive, almost meditative performance in itself, building towards a final act of breathtaking collective impact. Hashimoto doesn't just create art to be observed from a distance; he builds worlds to be inhabited, environments that evoke the layered canopies of a forest or the dizzying data streams of a digital universe, proving that the most powerful stories are sometimes those told without a single spoken word, through the pure, emotional language of form and color in magnificent, carefully orchestrated space.
#Jacob Hashimoto
#sculpture
#installation art
#color
#form
#painting
#architecture
#Miles McEnery Gallery
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