Jacob Hashimoto's Vibrant Sculptural Art Exhibition.

22 hours ago7 min read1 comments

Stepping into the Miles McEnery Gallery feels less like entering a traditional white cube and more like walking into the wings of a grand, abstract theatrical production where Jacob Hashimoto is both the playwright and master scenic designer. His eponymous solo exhibition isn't merely a collection of artworks; it's a total environment, a vibrant stage set where the very grammar of painting has been joyfully deconstructed and reassembled into something breathtakingly architectural.Hashimoto’s signature vocabulary—a lexicon of thousands of hand-assembled, paper-and-bamboo kite-like elements—sings from the walls and cascades from the ceilings in a riotous opera of color and form. These are not discrete objects to be passively observed from a distance; they are immersive worlds that demand your presence, pulling you into their intricate, layered depths where shadows and light become active collaborators in the performance.One can trace the lineage of this work back through art history’s great challengers of the picture plane, from the explosive shattering of form in Analytic Cubism to the all-over, enveloping energy of Pollock’s drip paintings, yet Hashimoto pushes further, building upon this foundation with a distinctly contemporary, almost musical sensibility. His installations operate like a visual symphony, where each individual ‘note’—a delicately printed paper disk—contributes to a swelling, rhythmic composition that ebbs and flows across the gallery space.The effect is profoundly narrative, reminiscent of the way a masterful set design for a Broadway musical can instantly establish tone, emotion, and place without a single word of dialogue. There’s a backstage magic at work here, a testament to the countless hours of meticulous, hand-crafted labor that remains invisible, allowing the final act to appear effortlessly buoyant and alive.Hashimoto’s art doesn't just hang on the wall; it performs. It dances with the air currents, it dialogues with the architecture, and it transforms the viewer from a spectator into a participant standing at the very heart of the spectacle. This is where painting escapes its frame and becomes an event, a living, breathing entity that captures the fleeting, magical intersection of craft, sculpture, and pure, unadulterated visual joy, leaving one with the feeling of having witnessed a truly spectacular, wordless production.

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#Jacob Hashimoto

#sculpture

#installation

#contemporary art

#gallery

#color

#form

#Miles McEnery Gallery

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