Arghavan Khosravi's New Sculptures Stage a Silent Opera of the Psyche

5 hours ago7 min read2 comments

Arghavan Khosravi's latest collection is a breathtaking soliloquy, an inward turn that commands the gallery space with the force of a silent opera. These radiant sculptures are not passive objects but active performers on the subconscious stage of human experience.To encounter them is to walk into a theater where the sets themselves are the actors, each a layered character with a history etched into its materials. Khosravi draws from her life spanning Iran and the United States, constructing intricate, multi-media forms that read as three-dimensional pages from a deeply personal, yet universally resonant, diary.Fragments of Persian carpets, rich textiles, and disembodied architectural elements are not mere aesthetics; they are the props and backdrops for a profound play about diaspora, memory, and the fragmented self. Her figures often appear suspended, bisected, or reconstructed—visual metaphors for the experience of living between cultures.This captures the backstage feeling of identity, where one is simultaneously the performer and the person, the public face and the private individual. A striking theatricality emerges from her use of vibrant color against somber, restrained forms, a chiaroscuro effect that illuminates the tension between external expression and internal conflict.Her artistic process is a meticulous choreography, a staging of disparate elements into a cohesive and haunting whole. This new body of work serves as a climactic third act, where the artist fully embraces the stage of her own mind.She invites the audience not to meditate on a finished story, but on the raw, beautiful, and often painful terrain where our deepest thoughts and memories are forged. It is a masterclass in visual storytelling, proving that the most compelling dramas are those sculpted in silence.

#Arghavan Khosravi

#sculpture

#subconscious

#art exhibition

#contemporary art

#featured

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