Bob Dylan Closes Belfast Show With Obscure Van Morrison Cover.

6 hours ago7 min read4 comments

In a move that felt less like a setlist addition and more like a whispered secret passed between two legends, Bob Dylan concluded his Belfast performance not with a predictable anthem, but with a deep, resonant dive into Van Morrison's catalog, bypassing the well-trodden paths of 'Moondance' and 'Tupelo Honey. ' The choice wasn't a hit from Morrison's celebrated seventies and eighties heyday, nor was it a relic from the last century; it was a deliberate, almost archival selection that spoke volumes to those with ears to hear.For an artist of Dylan's stature, a man who has spent six decades reinterpreting the Great American Songbook and his own mythic repertoire, the selection of such an obscure track was a masterclass in curation. It was a nod not just to a fellow traveler, but to the very soul of Belfast itself, a city whose musical heartbeat is intrinsically tied to Morrison's poetic, often melancholic, explorations of place and memory.This wasn't merely a cover; it was an act of musical archaeology, a tip of the hat from one Nobel laureate to another, acknowledging a shared understanding that an artist's deepest work often lies buried beneath the commercial gloss. The decision reverberates through the context of Dylan's never-ending tour, a journey where the setlist is a living document, constantly revised and recontextualized.To hear Dylan's weathered, timeless rasp wrap around a lesser-known Morrison piece is to witness a conversation across the decades, a reminder that these titans are still mining their own and each other's histories for new meaning. It elevates the concert from a mere recital to a cultural statement, suggesting that the most profound tributes are not the loudest, but the most thoughtfully chosen, leaving the audience with not just a melody, but a mystery to unravel long after the house lights have come up.

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