Worm announce new album 'Necropalace,' share title track.

2 days ago7 min read4 comments

The air in the record shop grows thick with the scent of aged vinyl and palpable anticipation as Worm, the enigmatic architects of auditory darkness, formally announce their forthcoming full-length, 'Necropalace,' and unleash its sprawling title track upon the world. This isn't merely a new song; it's a multi-movement odyssey, a mini-epic that unfolds like a cursed symphony discovered in a forgotten catacomb.From its opening salvo—a blizzard of tremolo-picked guitars and blast beats that would satisfy the most orthodox black metal purist—the track immediately establishes its formidable scope. Yet, just as you settle into the frostbitten fury, the composition pivots with the grace of a seasoned prog ensemble, introducing labyrinthine time signatures and melodic basslines that recall the technical death metal of late-era Death.The gothic element manifests not as a mere aesthetic but as a structural component, with haunting, clean vocal passages and synth layers that evoke the romantic despair of Fields of the Nephilim, creating a dynamic contrast that is both jarring and breathtakingly beautiful. The symphonic undercurrent, woven throughout like golden thread in a funeral shroud, elevates the entire piece, suggesting the grand, cinematic ambitions of Emperor or Dimmu Borgir without ever succumbing to mere orchestral bombast.This is a band operating at the peak of its creative powers, refusing to be confined by genre tags, instead treating black metal as a foundational canvas upon which they paint with a palette of death, goth, and progressive colors. For long-time followers who have traced their evolution from raw, sepulchral beginnings to the more refined, yet still vicious, sound of 2021's 'Foreverglade,' 'Necropalace' feels like a logical, if daring, progression—a deeper descent into the swampy, atmospheric death they've perfected, now augmented with a newfound compositional ambition.The title track alone suggests an album that is less a collection of songs and more a singular, immersive journey through opulent halls of decay. In an era where extreme music often fractures into hyper-specific subgenres, Worm’s bold synthesis feels both nostalgic for a time when bands like Opeth and My Dying Bride freely traversed stylistic boundaries, and utterly contemporary in its execution. It’s a statement that will undoubtedly dominate year-end lists, a complex, challenging, and ultimately rewarding suite that demands repeated, attentive listening to unravel its many dark treasures.

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