KISS biopic gets update from director

2 hours ago7 min read

The long-gestating KISS biopic, a project as anticipated by the Kiss Army as a new album in the '70s, has just received a thunderous update from its director that promises to be louder than a stack of Marshalls at full tilt. While the cinematic landscape is littered with musician biopics that play it safe, this one, according to the director, is 'going to kick your fuckin' ass'—a statement that feels less like Hollywood hyperbole and more like a genuine mission statement for a band built on spectacle and raw power.The news that Nick Jonas was reportedly cast as the Starchild, Paul Stanley, earlier this year sent ripples through both the music and film worlds, a casting choice as intriguing as it is bold, suggesting a film that seeks to understand the men behind the iconic makeup rather than just pantomime their greatest hits. Imagine the narrative potential: the journey from the New York City dive bars where Gene Simmons and Paul Stanley first forged their partnership, a creative alchemy as potent as Lennon-McCartney, to the global phenomenon they became, a quartet of demonic space warriors who redefined rock theatrics.This isn't just a story of rock stardom; it's a story of branding, of perseverance, and of a relentless, almost pathological belief in the KISS mythology. The director's aggressive confidence hints that we won't be getting a sanitized, 'Bohemian Rhapsody'-style victory lap, but rather a gritty, warts-and-all exploration of the ego clashes, the business battles over licensing everything from coffins to condoms, and the sheer, exhausting work of maintaining those iconic personas night after night.Think of the cinematic moments waiting to be captured: the first time Peter Criss's cat makeup was tested, the fateful decision to remove the makeup in the early '80s, the explosive reunion tours that proved their legacy was untouchable. For a band whose live show was the ultimate rock and roll circus, complete with fire-breathing, blood-spitting, and levitating drum kits, the biopic faces the colossal challenge of translating that visceral, arena-shaking energy to the screen.Will it use practical effects to capture the sweat and greasepaint, or will it lean into CGI to recreate the bombast? The director's promise suggests a film that aims for the gut, one that might not shy away from the darker corners of life on the road, the personal tensions that threatened to tear the band apart, and the complex relationship between the artists and their alter egos. This project enters a crowded field, but KISS was never a band that played by anyone else's rules. Their story, told with the unflinching force their director promises, could be the one to finally tear down the clichés of the music biopic genre, offering not just a tribute, but a testament to the chaotic, glorious, and utterly unique revolution that was, and is, KISS.

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#biopic

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#Paul Stanley

#Nick Jonas

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