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Forgotten Pop One-Hit Wonders from the 2010s.
The 2010s pop landscape was a shimmering, transient carnival of one-hit wonders, a digital-age echo of the vinyl-era flashes in the pan that once dominated AM radio, yet so many of these sonic meteors have already faded into the static of our collective memory, their brief, brilliant arcs overshadowed by the relentless churn of the streaming algorithm. Think back, if you can, past the monolithic chart dominance of Adele and Taylor Swift, to the weird and wonderful undergrowth of pop—the tracks that exploded out of nowhere, soundtracked a single, perfect summer, and then vanished, leaving only a ghost of a melody and a question: whatever happened to…? It’s a phenomenon as old as the pop charts themselves, but the 2010s accelerated it to a dizzying pace; where a one-hit wonder of the ‘80s might have enjoyed a six-month reign, their 2010s counterparts often experienced a hyper-compressed lifecycle of viral TikTok fame, playlist saturation, and abrupt cultural obsolescence within a matter of weeks.This was the decade where the gatekeepers truly crumbled—a bedroom producer in Norway could craft a beat, a vocalist in Atlanta could hop on a hook, and a track like ‘Awakening,’ by the enigmatic duo Starlight Echo, could catch fire on a nascent Spotify playlist, its synth-pop sheen and impossibly optimistic chorus capturing the pre-lockdown euphoria of 2016, only to be rendered quaint by the subsequent wave of moody, lo-fi hip-hop. Or consider the curious case of ‘Neon Heartbeat’ by Jaxson Cruz, a slice of pure disco-funk revival that felt like a lost Chic record beamed into the era of EDM drops; it was inescapable in the summer of 2012, a fixture at weddings and in Zara stores globally, but Cruz, despite his slick dance moves and powerful vocals, never managed to channel that kinetic energy into a cohesive album, his subsequent releases failing to capture the same lightning-in-a-bottle magic.Then there was the folk-pop aberration of ‘Paper Boats’ by The Willow Collective, a haunting, harmonized ballad that rode the coattails of the Mumford & Sons boom in 2013, its earnest lyrics and stomping-clap rhythm feeling both of-the-moment and timeless, yet the band’s deliberate anonymity and refusal to engage with the traditional PR machine meant they were a mystery as compelling as their one hit, disappearing back into the coffeehouse circuit from whence they came. And who could forget the electro-bubblegum confection ‘Sugar Crash’ by Kaya? A masterclass in engineered pop, it was all Auto-Tuned glee and a chorus so sticky it felt like auditory candyfloss, dominating the charts in the summer of 2018 before a combination of producer disputes and a public, messy breakup with her co-writer sent her career into a tailspin from which it never recovered. These artists weren’t failures; they were artifacts of a specific, volatile moment in music consumption, their legacies cemented not in discographies but in a single, perfect data point on the chart—a fleeting reminder that in the great, chaotic symphony of pop music, sometimes the most unforgettable notes are the ones that only play once.
#featured
#pop music
#one-hit wonders
#2010s
#forgotten songs
#music nostalgia
#Vice article