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Drunk Santas, Yoko Ono, and Other Joys of DOC NYC

AM
Amanda Lewis
2 days ago7 min read5 comments
The documentary landscape, often a terrain of sobering exposés and earnest social commentary, finds its most vibrant and unexpectedly joyous expression at DOC NYC, where the program unfurls like a curated selection of life’s rich pageant, from the gloriously absurd to the profoundly beautiful. This year’s festival offers a masterclass in tonal range, presenting the chaotic, alcohol-fueled spectacle of Santacon not as a mere public nuisance but as a fascinating study in collective identity and performative festivity, a modern-day Dionysian ritual captured with a lens that is both critical and curiously affectionate, asking us what happens when a thousand strangers decide, en masse, to embody a singular mythological figure in the most un-saintly manner possible.This disruptive nonsense is brilliantly counterbalanced by the serene and powerful legacy of Kwame Brathwaite, whose lens catalyzed the 'Black is Beautiful' movement, a cinematic exploration that does more than recount history—it immerses you in the texture of 1960s Harlem, the palpable sense of pride, and the quiet revolution of fashion shows and album covers that redefined aesthetics for generations. It’s in this juxtaposition that DOC NYC truly excels, weaving a tapestry where Yoko Ono’s avant-garde spirit—her conceptual art and enduring influence—can coexist with tales of inebriated Santas, suggesting that the documentary form is at its best when it refuses to be pigeonholed, embracing both the high-minded and the hilariously human.The festival understands that truth isn’t monolithic; it’s found in the whispered conversations backstage at a Brathwaite photoshoot as much as in the slurred carols of a reveler in a cheap red suit. For any cinephile, this is not merely a lineup of films but a carefully constructed argument for the expansive power of non-fiction, a reminder that the most compelling stories are those that hold multiple, contradictory truths in a single frame, challenging our perceptions of art, community, and the very nature of celebration itself.
#DOC NYC
#documentary festival
#film reviews
#Yoko Ono
#Kwame Brathwaite
#Santacon
#culture
#editorial picks news

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