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13 Shows like 'Monster: The Ed Gein Story' You Should Watch Next
For those whose fascination was piqued by the grim, psychological excavation of 'Monster: The Jeffery Dahmer Story,' the descent into humanity's darker corners need not end with the final credits. The true-crime genre, much like a meticulously crafted film, operates on layers of subtext and character study, and the shows that truly resonate are those that understand the assignment is not merely to shock, but to contextualize horror within the fragile framework of society.Consider the seminal 'Mindhunter,' a series that, in its clinical, almost academic dissection of the FBI's Behavioral Science Unit, provides the essential primer for understanding the very taxonomy of a serial offender; it’s the 'Citizen Kane' of criminal profiling, offering a macro lens on the institutional pursuit of monsters, where 'Dahmer' gives us the unflinching close-up. Then there's 'The Act,' a chilling portrait of fabricated reality and maternal manipulation that, while not centered on a traditional serial killer, mirrors the same themes of domestic imprisonment and the grotesque warping of normalcy.For a more procedural, yet deeply atmospheric, deep dive, 'The Fall' is a masterclass in tension, juxtaposing the calculated, domestic life of a serial killer with the dogged, psychologically draining pursuit by a female detective, creating a cat-and-mouse game that feels less like entertainment and more like a grim thesis on gendered violence. Stepping away from pure fact but leaning into the profound emotional aftermath, 'The Killing' uses a single murder to unravel the fabric of an entire city, its rain-soaked aesthetic and lingering shots creating a mood of pervasive melancholy that will feel familiar to fans of 'Dahmer’s' somber tone.If your interest lies in the grotesque spectacle and the media's complicity in creating monsters, 'Ratched' offers a stylized, operatic origin story for one of fiction's most infamous nurses, exploring the bureaucratic cruelty of mid-century mental institutions with a palette so vibrant it somehow makes the horror more potent. For a contemporary, and terrifyingly plausible, descent into digital-age malevolence, 'The Stranger' on Netflix weaves a web of anonymous threats and suburban secrets, proving that the monster doesn't always lurk in the shadows but can operate in plain sight, delivered via text message.And one cannot discuss the genre without paying homage to its modern architect, 'True Detective' Season One, a southern gothic nightmare that blends cosmic horror with a grounded, philosophical police investigation, its two protagonists serving as broken lenses through which we view a corruption that is both human and, perhaps, something far older. Each of these series, in its own distinct cinematic language, picks up a thread left by 'Monster'—whether it's the exploration of institutional failure, the slow-burn psychological unraveling, or the simple, awful question of what happens when the person next door is not who they seem. They are the essential viewing for anyone who understands that the most compelling stories are often the most difficult to watch, not for their gore, but for their uncomfortable truths about the world we inhabit.
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